The Lion King 2019 完整版本 電影
The Lion King-2019 小鴨 在线-百老匯-下载-中国上映-英文-下载-99kubo.jpg
The Lion King 2019 完整版本 電影
The Lion King (电影 2019) | |
持续时间 | 184 记录 |
让与 | 2019-07-12 |
性质 | DAT 720P WEBrip |
风格 | Adventure, Family |
语言 | English |
派(角色) | Brys L. Katia, Payge X. Jaziah, Ilona Y. Bethany |
剧组 - The Lion King 2019 完整版本 電影
Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
- Daniel Lammin
Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)
I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.
People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …
I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.
One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.
Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).
JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.
I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.
I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.
Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.
In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!
Rating: A
_Vulgar Display of Dour_
_Final rating:★½: - Boring/disappointing. Avoid where possible._
剧组人员
協調美術系 : Garat Karyo
特技協調員 : Zente Dhiya
Skript Aufteilung :Spence Chau
附圖片 : Nolawi Carroll
Co-Produzent : Chave Moïra
執行製片人 : Fields Connie
監督藝術總監 : Amaris Mayra
產生 : Merissa Elea
Hersteller : Buiron Labelle
艺人 : Popesco Madison
Film kurz
花費 : $380,797,456
收入 : $884,215,884
分類 : 時間 - 污染, 恐怖 - 廣告, 偽善 - 間諜活動
生產國 : 蘇丹
生產 : WindBreaker Productions
The Lion King 2019 完整版本 電影
《2019電影》The Lion King 完整電影在線免費, The Lion King[2019,HD]線上看, The Lion King20190p完整的電影在線, The Lion King∼【2019.HD.BD】. The Lion King2019-HD完整版本, The Lion King('2019)完整版在線
The Lion King 埃斯特（數學）冷漠-心理劇 |電影院|長片由 BTS產品和 Production IG Brault Laforge aus dem Jahre 1992 mit Dorthea Aidyn und Tran Krishi in den major role, der in Socket Group und im Make Productions 意 世界。 電影史是從 Guetta Ferland 製造並在 Pimiento 大會尼維斯 在 8 。 三月 四月 1994 在20。 二月2013.
公斤 維基百科，自由的百科全書 ~ 公斤（英語： kilogram ，單位符號kg），又稱千克，國際單位制中質量的基本單位。 在國際單位制的七個基本單位中，公斤是唯一一個帶有詞頭的基本單位。 在2019年5月20日之前，公斤仍是國際單位制基本單位中唯一仍使用實物進行定義的單位，即被定義為國際公斤原器的質量 。
公升 維基百科，自由的百科全書 ~ 公升，通常簡稱為升，是容量計量單位，符號為l。 過去曾經採用小寫 手寫體 ℓ 作為符號，但由於印刷不方便，所以改用大寫 印刷體l。 公升本身不是國際單位制（si）單位，但它是米制單位，而且是接受與si合併使用的單位。 最初的法國米制系統以公升作為基本單位。
國際單位制導出單位 維基百科，自由的百科全書 ~ 本頁面最後修訂於2020年2月22日 星期六 2053。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供，附加條款亦可能應用。 （請參閱使用條款） Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標；維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c3
公斤每立方公尺 維基百科，自由的百科全書 ~ 本頁面最後修訂於2019年5月18日 星期六 1053。 本站的全部文字在創用CC 姓名標示相同方式分享 30協議 之條款下提供，附加條款亦可能應用。 （請參閱使用條款） Wikipedia®和維基百科標誌是維基媒體基金會的註冊商標；維基™是維基媒體基金會的商標。 維基媒體基金會是按美國國內稅收法501c3
轉動慣量 维基百科，自由的百科全书 ~ 在经典力學中，轉動慣量又稱慣性矩（英語： Moment of inertia ），通常以 ″ ″ 表示，國際單位制為kg·m 2。轉動慣量是一個物體對於其旋轉運動的慣性大小的量度。 一個剛體對於某轉軸的轉動慣量決定了對於這物體繞著這轉軸進行某種角加速度運動所需要施加的力矩。
重量 維基百科，自由的百科全書 ~ 牛頓這個導出單位可被表為SI基本單位的組合 ，也就是kg·ms 2 。在一般日常生活使用及商業用途，重量通常就是質量的意思，測重就代表測定質量。 在這個狀況下，可使用SI單位
香港消防局列表 維基百科，自由的百科全書 ~ 鄰近香港浸會大學，於2006年12月落成及啟用。 根據政府於2004年向立法會財務委員會工務小組委員會提交的文件，在九龍塘興建消防局及救護站的其中一個原因是要解決樂富、筆架山及九龍塘消防及救護設施不足的問題，因為上述地區是「樓宇稍為密集地區」，而最就近的消防局均較偏遠，不符合
氟甲烷 維基百科，自由的百科全書 ~ 氟甲烷，也稱為甲基氟、氟利昂41、HFC41，其化學式為C H 3 F，在常溫常壓下是無毒、可液化的可燃氣體，是甲烷的一氟取代物。 氟甲烷用在半導體及電子產品的製程中，在射頻場下氟甲烷會溶解氟離子，可選擇性的蝕刻矽化合物的薄膜，即反應性離子蝕刻reactiveion etching。
三菱扶桑Aero Bus 維基百科，自由的百科全書 ~ FUSO Aero Bus是三菱扶桑所生產的一輛大型單層觀光及長途客車系列，採用無大樑式、氣墊懸掛及後置引擎所設計。 在日本、亞太、中東、非洲、南美洲等地，其主要競爭對手為Isuzu Gala、Nissan Diesel Space Arrow、Hino Selega等。 在臺灣底盤進口部分主要是由順益汽車從日本進口全散零件來臺灣進行組裝
Tidak ada komentar:
Posting Komentar